Monthly Archives: November 2011

The Magic and Mysticism of Dr. John

He has been known as the night tripper. The Voodoo Mysticism man. A pioneer of Louisiana Boogie-woogie and a dynamo of Zydeco and Rock-n’-Roll, Mardi Gras style. Under the ruby red and violet stage lights, his beads sway back and forth against his pinstriped suit through every passionate move of his hands across the keyboard. With his black hat tipped perfectly over a pair of shadowy shades, he defines cool. He lives, loves and breathes the sounds of New Orleans, and shows it onstage every night with a fantastic spectacle of theatrics and musical madness. Who else could pull off such a magical night than Dr. John himself?

Under a deep orange sky and the rolling backdrop of the hill country, audiences from all over Austin were able to pack into One World Theatre to experience this music master. Dr. John has been known for decades as a legend, beginning his career playing in front of audiences in the 1950′s. With his combination of blues, jazz, pop and rock n’ roll wrapped in a decadent package of rich Louisiana roots and theatrical funk, his show is quite unlike any other major performer in existence. For years he has gained notoriety with his medicine shows, onstage Voodoo ceremonies and wild costumes; yet underneath it all remains a truly gifted musician whose deep, gravelly voice and insane talent on the keyboard has gotten him inducted into the Rock-n’-Roll Hall of Fame, collaborations with Eric Clapton and Mick Jagger and continued acclaim around the world.

While I have experienced many amazing shows at the One World Theatre, this was one of the greatest I have seen yet. Stepping out in his impeccably tailored suit dripping with Mardi Gras beads and Voodoo chains, he sat down at the piano (adorned with a shimmery skull) and suddenly a musical Pandora’s box was opened. With a passionate intensity he pounded the keys. Standing up, sitting down, and even playing two pianos at a time, his music continued to genuinely speak the song of the Louisiana culture. Backed up by the furious beat of a drummer and funky strum of the guitar and base, the transformed sounds gave you the feeling of being smack dab in the middle of a New Orleans street, peering into the window of a jazz club with a hot beignet in hand.

He was a complete performer for the audience, peppering every few songs like “Right Place Wrong Time” with words that would make the audience scream, and even getting up to perform Voodoo theatrics with some choice props. Shredding the guitar with a sense of complete effortlessness, it became clearer just how versatile and talented this legendary artist is. And the audiences’ response was just as extraordinary. Men and women of all ages were standing up in the aisles, spinning, jumping and dancing their hearts out to the beat of the musicians. By the end of the show, the majority of patrons had burst into a happy mania of screams with hands flying in the air; the positive energy within the room was boundless and enough to give anyone goose bumps.

One of the most fantastic elements of this wildly theatrical show, though, was that it all went down at the One World Theatre. Inside this intimate and one-of-a-kind venue, it felt as though the audience were in some kind of magical bubble of music that couldn’t be penetrated. Thoughts of the day dissipated, and the whole world seemed to melt away listening to the extraordinary sounds being created inside the theatre. Not distracted by miles of seats and thousands of people, audience members were able to see Dr. John in his purest form and get lost in every song being played. While he may perform all around the world and participate in renowned music festivals, to see this incredible legend here was an experience not to be missed; this venue seems to prove once again that any artist will only sound better once they ascend its stage. If you haven’t experienced a show yet, come by to be transported into a night of pure musical euphoria that only the One World Theatre can provide.

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John Oates: Americana Roots

The greatest singers are those that make you feel as though you are the only person in the room.   As soon as their fingers strum against the guitar strings, tap the ivory keys of the piano or sing sweet melodies into the coils of a microphone, it’s as if the world melted away and suddenly it’s just you staring into the spotlight of an unparalleled musician.  Your heart pounds, a permanent smile is plastered on, and your ears are alive with the notes coming directly towards you with such incredible power and force.   There are many artists who reach for the status of such a pure live performance, but John Oates is one of few musicians who can genuinely create this magic on the stage.

On Tuesday November 1st, Oates entered the One World amphitheater and commanded it for the next two hours.  A veteran musician, Oates has been writing and performing music professionally since the 1970’s and was in a little band we all know as Hall and Oates, a “rock and soul” staple of 1980’s MTV Television that produced many number one hits on the billboard charts.  Now touring solo for over a decade, Oates has returned to his roots (that is, his Americana Roots), bringing a fusion of R & B, Folk and Blues inspired by his Philadelphia upbringing to the One World Theatre.

Playfully dancing around on stage and shredding his guitar into a symphony of bluesy rock-n’-roll sound, this was a truly inspired performance.  The animated songwriter extraordinaire shared his rockabilly-drenched music from his newest album, Mississippi Mile, R&B tinged songs from past records, as well as crooned new renditions of past hits like “Maneater.”  In between every song, Oates had everyone laughing with playful jokes and stories; he even covered a John Denver song as a tribute to the late singer after weaving tales to the crowd of performing with Denver in Colorado during the 70’s.  It was wonderful to see such a talented legend in real life be down-to-earth and spirited, making his entire concert so marvelous to experience.

The night also included an opening by Austin’s own Miles Zuniga from musical group Fastball.  Fresh off the recording of his new album “These Ghosts Have Bones,” Zuniga gave a raw and powerful performance that was underscored with soothing melodies and songwriting.  His grasp of love, loss and life in his songs had the audience connected to his real-life stories and the realities of everyday that we all experience.  Greg Williams even stopped by to add his incredible talent on the saxophone, combining real depth of fun and spontaneous sound with Zuniga’s set.

John Oates blew me away in every form possible.  From his flying fingers across the guitar, to his dynamic voice and jovial onstage presence, the entire night couldn’t have been more sublime.   However, the fact that this musical marvel was performing inside the One World Theatre made the night perfection.  Inside this cozy jewel, anyone from the audience had an amazing view of the artist, and a sound that would make any concerto proud.  While Oates could have booked a larger venue, the intimacy and sound quality may have been lost on the crowd.  Luckily, the audience was able to experience this larger-than-life musician in the ideal setting at One World Theatre, creating a night not soon to be forgotten.   If you haven’t been to the One World Theatre, be sure to carve out a night to experience world-renowned musicians in the most intimate concert hall Austin has to offer.

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